Tagged with: Ang, attraction and rejection, bell hooks, classical realism, connotative realism, consumption, Coward, Creekmur & Doty, denotative realism, dominant masculinities, dual-systems theory feminism, Easthope, emotional learning, escapism, fallacy of meaningfulness, feminism, feminisms, Hermes, identification, Jackie Stacey, liberal feminism, lived masculinizes, Marxist feminism, mass-culture ideology, McRobbie, melodramatic imagination, Modleski, moments of empowerment, Nixon, patriarch, pleasurable femininity, practical knowledge, queer reading, radical feminism, Radway, re-traditionalization, realism, regimes of representation, regressive fantasy, repertoires, romance, romance novels, romantic suffering, tragic structure of feeling, triangular satisfaction, Winship